There was a moment at Biggin Hill, maybe four or five years ago now, when I overheard two men behind me having a conversation I wasn’t meant to hear. One of them worked, in some capacity I didn’t catch, for a display team — not British, visiting — and the other seemed to be a journalist of some kind, or at least was asking the questions a journalist asks. The display team man said, with a weariness that suggested he’d said it before: “The show is the budget that never gets cut. Everything else is negotiable.” Then the Lancaster came over on its approach run and the conversation stopped because it always does, because there is no competing with that sound when it arrives.
I’ve been thinking about that sentence recently, prompted by something happening several thousand miles from Biggin Hill that is, in its own way, the same conversation.
The United States Air Force has been reducing its pilot training output for some years now. The numbers have been reported, argued over, contextualised by officials, and quietly confirmed by the pilots themselves in the kinds of forums where serving personnel speak with some degree of candour. There is a pilot shortage. It is serious. The causes are multiple — compensation gaps with commercial aviation, retention problems, an ageing instructor base — but one of the contributing factors, and one that receives considerably less public attention than it deserves, is that flying hours are expensive and training budgets have been squeezed in ways that operational and display budgets have not.
Meanwhile, the Thunderbirds are fully funded. The Blue Angels are fully funded. The airshow season continues at scale, drawing crowds, generating coverage, serving the recruitment and public affairs functions that the Air Force has always used to justify the spend. I am not arguing these functions are invented. They are real. Young people do watch a Thunderbird F-16 go through a vertical roll at close quarters and feel something that a careers office poster cannot produce. I understand the logic. I’ve watched it work in real time, seen a kid at a grass strip event stare at a Harvard cockpit with an expression that suggested something had just changed in his future.
But there is a point at which the logic begins to serve itself rather than the institution it claims to support. And I think the American Air Force reached that point some time ago.
The honest version of the argument goes like this. Display flying requires trained, current pilots flying high-performance aircraft through demanding profiles. Those pilots are not flying training sorties on the days they are flying displays. The maintenance burden of keeping Thunderbird F-16s in showroom condition pulls resources from the fleet. The organisational overhead of running two full demonstration teams — scheduling, logistics, the PR apparatus, the travel — is not small. None of this is secret. All of it is defended, routinely and fluently, by people whose job it is to defend it. What is harder to find is an honest accounting of what the same money, redirected, would produce in trained pilots available to fly operational missions.
I am, obviously, not a defence economist. I do not have access to the budget lines. What I have is a reasonable familiarity with how institutions protect the things they value when pressure arrives, and the pattern I see in the American case is one I recognise from closer to home.
In Britain, we have watched the Red Arrows survive cuts that eroded substantive capability elsewhere, repeatedly, because the Red Arrows are visible and beloved and politically useful in a way that a well-funded fast jet training programme is not. I think the Red Arrows are genuinely wonderful. I also think they have occasionally functioned as a kind of decoy — look here, at these nine Hawks in diamond formation, and not there, at the thing we decided not to fund this year. Organisations learn to weaponise what the public loves. It is not conspiracy. It is just how institutions behave when they are under pressure and have something the public will defend on their behalf.
What troubles me about the American version is the scale of the gap. A pilot shortage that is affecting operational readiness is not an abstract policy concern. It is a structural problem with consequences that are, depending on how honest the analysis is allowed to be, fairly serious. And the response — not to address the show budget in any meaningful way while asking other parts of the organisation to absorb reductions — reflects a set of priorities that have more to do with image management than with what the Air Force is actually for.
At Redhill, on a quiet Tuesday, you can sometimes watch a student pilot doing circuits in a Cessna, coming round again and again, each pass slightly more assured than the last. Nobody is filming it. There is no crowd. It does not generate a recruitment video. It is just the thing itself: someone learning to fly, getting it more right each time.
That is what a funded training programme looks like. It is not spectacular. It is just necessary.
The Air Force that cannot produce enough pilots is not rescued by the one that produces a very good airshow. Eventually, the gap between those two things becomes the story, whether or not anyone in a position of authority chooses to tell it.
Alex Bradley is a UK-based aviation writer and airshow circuit regular who has spent years attending displays from RIAT at Fairford and the Biggin Hill Festival of Flight to small fly-ins that drew two hundred people and a hot dog van, and values both for entirely different reasons.
He is not a pilot. He is not a PR man for the aviation industry. He is the person in the crowd who has been coming long enough to notice when something has quietly changed, when an organiser is papering over a problem, and when a display is genuinely worth the drive.
His writing on Redhill Airshow covers the British airshow circuit, safety, display team politics, CAA regulations, and the quiet contraction of grass airfield culture that nobody in the industry wants to discuss plainly.
He has stood at Redhill Aerodrome in every kind of English summer weather, watched Tiger Moths bank low over Surrey farmland, and carries strong opinions about what this country is slowly losing one cancelled event at a time.